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Flying High with Low Brass

Images captured during production of the Early Light Media documentary film about Richard Antoine White R.A.W. directed by Darren Durlach and David Larson. Image by John Waire.

By Leslie D. Green The Ford Motor Company Fund recognizes that creativity and artistic expression enrich lives and inspire innovation and that communities which support and provide access to the arts are stronger for it. In this collection of stories, we share how and why music affects us at all ages and stages of our lives. Clothing and a safe

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‘Music Helps Me Engage’

Composer and trumpeter Kurton Harrison III plays the "Rising Stars Series with Sean Dobbins" in the Kerrytown concert House.Photo by Jeff Dunn

By Leslie D. Green Songs are not minor in trumpeter’s life The Ford Motor Company Fund recognizes that creativity and artistic expression enrich lives and inspire innovation and that communities which support and provide access to the arts are stronger for it. In this collection of stories, we share how and why music affects us at all ages and stages

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Nonprofits take learning beyond the last bell

The new presidential administration and questions about funding for school, after school and summer learning programs have amplified the national conversation about how we instruct our children. While many focus on traditional school day programs, some experts say out-of-school programs are equally, if not more, important to the development of today’s youth. Children spend about 20 percent of their waking

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Arts leaders DiChiera, Slatkin and Fisher discuss funding, diversity and why they shouldn’t have to justify the arts

A condensed version of this story was originally published in Crain’s Detroit Business. By Leslie D. Green Come June, metro Detroit’s arts world will begin significant transformation. That’s when David DiChiera resigns after 46 years as artistic director of the Michigan Opera Theatre, Leonard Slatkin begins prepping for his 10th and last season as conductor and music director of the Detroit Symphony

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The demise of arts and culture critics

This story first appeared in Crain’s Detroit Business. When I started at The Detroit News in 2002, the paper employed a dedicated restaurant critic, a dance critic, two film critics, a couple of music critics, a theater, jazz and classical music critic, a fine/visual arts critic, a TV critic, a book reviewer, and an abundance of freelance arts critics and generalists, at

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